JUKE
JOINT
Cumberland ii
you kept
the styrofoam
cup stuffed
with crumpled
napkins out
of my reach
safeguarding
your secret
that your mouth
salivates molasses
its ocher lacquer
you knew would
embalm me young
Cumberland iii
hair on
hair suddenly
in your palm
an obedient
graying rabbit
safe in your
finger fields
knowing
your magic
takes time
to learn
and you will
be going soon
tough times
So tough that the man famous
for replacing the witnesses’ voice
with his own warped, distorted
baritone is serving chicken parm
and tortellini to us on a Wednesday night.
He is much younger than I expected,
maybe a teenager, with a mop of black
hair netted up. He has a certain eager
engagement, maybe aware some guests
shift nervously when hearing him
the first time, place bets on what’s about
to go down. It’s not like we’ve caught
all the criminals—or stopped making them
for that matter—but maybe there’s less stress
refilling water glasses than looking
over your shoulder for some vengeful
getaway driver oblivious to the fact
that you were just reading a script
from someone else’s life. In the corner,
CNN stops scrolling through the same six
stock photos, cuts to another family ready
for their 15 minutes. I catch him glimpsing
at the screen after he returns our bill.
He must be wondering when everyone
decided to share their story, how they
can be anonymous under such bright light.
Jason Fraley is a native West Virginian residing in Columbus, OH. After taking a break for 10+ years, he has decided to start writing again. He has work forthcoming in Word For/Word and Quarter After Eight. Prior publications include DIAGRAM, Caketrain, Copper Nickel, and Forklift OH. He writes most poetry headbanging to death metal, so please forgive any typos.