JUKE
JOINT
Tattered Labels
I stand at an intersection, spinning in place: I am stuck in spin cycle (not droning, not drilling
down)—
I’m attracting a crowd—
did I mention that I’m naked? but this is not another naked-dream poem: I am shedding his/her
stories—
I am bare: I am thread—
my ribbon skin, untwisting, becomes a tangled mess: bones clatter: articulated arms dance: flies
buzz my spinning head —
my fluids are centrifugal: the crowd steps back, repelled: witnesses resist contamination—
specters cross my intersection: I am north, not south, I say: I am east, not west: still, my sinews
mimic tattered labels—
I am bloodless, unsexed: ghost-mist hides all my topographies—
I am unmade: I am they, and not yet dead.
Questions (Not) to Ask
blood images
of bigotry, pitiless, run
across my screen: outside
floodtides rise—but I
am not drowning?
if my (family) tree saves
me, can I hollow out
my trunk and build an ark?
what kind of knife’s
required (scalpel or sword)
to slice through wood
through tissue, carve
a new route?
frame by frame, looping
to infinity, images
of bigotry—can I
wade behind another(s) boat, pass
fresh water, pass the salt?
I sing myself complicit: how
can I (not) let you drown?
if my passport
is printed on my skin, can I
travel beyond self?
Jude Marr teaches, and writes poetry, as protest. They are currently a PhD candidate at the University of Louisiana at Lafayette, and their chapbook, Breakfast for the Birds (Finishing Line), was published in 2017. Recent credits include Nightjar Review, 8 Poems, and Oxidant Engine. Obsessions include sour cream, buzz cuts, and contradictions. Check out more of their work at judemarr.com.